Books

Barbour, K. (2023). Women and Persona Performance. Palgrave MacMillan. https://link.springer.com/book/10.1007/978-3-031-33152-7

Marshall, P. D., Moore, C. W., & Barbour, K. (2020). Persona Studies An Introduction. Wiley-Blackwell. https://www.wiley.com/en-au/Persona+Studies%3A+An+Introduction-p-9781118935057

Book Chapters

Marshall, P., Barbour, K., & Moore, C. (2018). Academic persona: the construction of online reputation in the modern academy. In D. Lupton, I. Mewburn, & P. Thomson (Eds.), The Digital Academic: Critical Perspectives on Digital Technologies in Higher Education (1 ed., pp. 47-62). Abingdon, Oxon: Routledge. doi:10.4324/9781315473611

Barbour, K. (2016). Public audiencing: Using Twitter to study audience engagement with characters and actors. In M. Griffiths, & K. Barbour (Eds.), Making Publics, Making Places (pp. 179-192). University of Adelaide Press. doi:10.20851/publics-11

Griffiths, M., & Barbour, K. (2016). Making publics, making places. In M. Griffiths, & K. Barbour (Eds.), Making Publics, Making Places (1 ed., pp. 1-7). Adelaide: University of Adelaide Press. doi:10.20851/publics-01

Barbour, K. (2015). Registers of performance: negotiating the professional, personal and intimate in online persona creation. In E. Thorsen, H. Savigny, J. Alexander, & D. Jackson (Eds.), Media, Margins and Popular Culture (1 ed., pp. 57-69). United Kingdom: Palgrave MacMillan. doi:10.1057/9781137512819_5

Edited Collection

M. Griffiths, & K. Barbour (Eds.), Making Publics, Making Places. Adelaide: University of Adelaide Press. https://doi.org/10.20851/publics

Journal articles

Barbour, K. & Ali, S. (2023). A sense of home: two migrant personas during COVID-19. Continuum: Journal of Media and Cultural Studies. [Online] doi: https://doi.org/10.1080/10304312.2023.2200916

Barbour, K., & Humphrey, M. (2022). Domesticity and Persona. Persona Studies, 8(2), https://doi.org/10.21153/psj2022vol8no2art1716

Adams, C. & Barbour, K. (2022). Transmedia storytelling, diegetic paratexts, and the limits of real time. Convergence, July 2022, doi: https://doi.org/10.1177/13548565221116074

Barbour, K., & Mansfield, L. (2019). Intersections between Corporeal Performance and Distributed Digital Audiences: Casey Jenkins and Remediated Artistic Practice. TDR-THE DRAMA REVIEW-THE JOURNAL OF PERFORMANCE STUDIES, 63(1), 125-140. doi:10.1162/dram_a_00820

Barbour, K., & Heise, L. (2019). Sharing #home on Instagram. Media International Australia, https://doi.org/10.1177/1329878X19853305.

Nguyen, L., & Barbour, K. (2017). Selfies as expressively authentic identity performance. First Monday, 22(11). doi:10.5210/fm.v22i11.7745

Barbour, K., Lee, K., & Moore, C. (2017). Online Persona Research: An Instagram Case Study. Persona Studies, 3(2), 1-12. doi:10.21153/ps2017vol3no2art710

Moore, C., Barbour, K., & Lee, K. (2017). Five dimensions of online persona. Persona Studies, 3(1), 1-11. doi:10.21153/ps2017vol3no1art658

Moore, C., & Barbour, K. (2016). Performing the networks of domestic and public persona. Persona Studies, 2(1), 1-11. Retrieved from https://ojs.deakin.edu.au/index.php/ps/article/view/592

David Marshall, P., Moore, C., & Barbour, K. (2015). Persona as method: exploring celebrity and the public self through persona studies. Celebrity Studies, 6(3), 288-305. doi:10.1080/19392397.2015.1062649

Barbour, K. (2015). Performing professionalism|validating artistness. Platform: Journal of Media and Communication, 6(ANZCA Special Issue), 5-12. Retrieved from https://platformjmc.files.wordpress.com/2015/04/anzca2015_barbour.pdf

Marshall, P. D., & Barbour, K. (2015). Making intellectual room for Persona Studies: a new consciousness and a shifted perspective. Persona Studies, 1(1), 1-12. Retrieved from https://ojs.deakin.edu.au/index.php/ps/article/view/464

Vincs, K., & Barbour, K. (2014). Snapshots of complexity: using motion capture and principal component analysis to reconceptualize dance. Digital Creativity, 25(1), 62-78. doi:10.1080/14626268.2013.786732

Barbour, K., Marshall, P. D., & Moore, C. (2014). Persona to persona studies. M/C Journal, 17(3), 1-6. Retrieved from http://journal.media-culture.org.au/index.php/mcjournal/article/viewArticle/841

Barbour, K. (2013). Hiding in plain sight: street artists online. Platform: Journal of Media and Communication, 5(1), 86-96. Retrieved from https://platformjmc.files.wordpress.com/2015/04/v5i1_barbour.pdf

Barbour, K., & Marshall, P. D. (2012). The Academic Online: Constructing Persona Through the World Wide Web. First Monday, 17(9), 11 pages. doi:10.5210/fm.v0i0.3969

Theses

Barbour, K. (2014). Finding the edge: online persona creation by fringe artists. (PhD Thesis, Deakin University). Retrieved from http://dro.deakin.edu.au/view/DU:30073257

Barbour, K. (2006). Constructing artistic integrity : an exploratory study. (Master’s Thesis, The University of Waikato). Retrieved from http://waikato.lconz.ac.nz/vwebv/holdingsInfo?bibId=785733